I also have photo book out on 'The Plotlands of Shepperton', and my 'Conspiracy of Good Taste' explains why I think the plotlands are a key phenomenon when understanding class oppression. My work is a sensible response to situations that I am in. This has led me to work in open artists collectives and to produce books. I have been wary of commissioned work unless in response to specific spaces, situations and communities. The media I used has mainly been writing, photography or video but has also included curation, performance and activism. I have tended to reject establishment modes to embrace more fluid collective situations.