Contemplative Photography nach David L. Smith anzeigenVorschau
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Contemplative Photography

Reflmecting On Images

von David L. Smith

Hardcover mit Schutzumschlag
Leineneinband mit vollfarbigem Schutzumschlag und Klappen
Menge:
Die MwSt. wird an der Kasse aufgeschlagen.
Über das Buch
To contemplate is to focus the attention on a particular object long enough that it generates meaningful insight and appreciation. This book contains 64 color and black and white photographs with contemplations that relate to each one. Originally, they were posts featured on the author’s weekly blog site. Because they demonstrate the process of using photographs to expand self and social awareness and cultivate spiritual enrichment, the book serves as a guide for readers wanting to feed their soul by delving deeper into the images they create and encounter.
Autorenwebsite
http://www.davidlsmithcontemplativephotography.com
Eigenschaften und Details
  • Hauptkategorie: Kunst & Fotografie
  • Weitere Kategorien Religion & Spiritualität
  • Projektoption: Standard-Hochformat, 20×25 cm
    Seitenanzahl: 70
  • Veröffentlichungsdatum: Dez. 09, 2022
  • Sprache English
  • Schlüsselwörter Wisdom, Spiritual, Contemplation
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Über den Autor
davidlsmith
David L. Smith
Cincinnati, OH (USA)

David L. Smith is Emeritus Associate Professor of Communication and former director of the Television Center at Xavier University in Cincinnati, Ohio. His undergraduate degrees include Broadcasting (University of Cincinnati) and Professional Photography (Rochester Institute of Technology). His graduate degree in Communications Anthropology is from the University of Cincinnati. Before his tenure at Xavier University Mr. Smith was employed by Eastman Kodak Company (Rochester, NY), K&S Films Incorporated, Taft Broadcasting Company (WKRC-TV), Scripps-Howard Broadcasting (WCPO-TV) and Kent State University where he was production manager for the local PBS station. His photographs have been exhibited and published in special interest magazines. His work was featured in the March, 2002 issue of Lenswork.

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