Über das Buch
I like walking in general, whether in city or in country, in desert, a park or on a hill; but walking on an ocean beach has always meant something special to me. Few sensuous pleasures in life match the immediacy and intimacy that a barefoot walk on wet sand on the ocean shore offers. For this reason my frequent visits to Southern California to spend meaningful stretched periods of time every few months with my mother and rest of family have the added attraction for me of being able to go to the beach as often as I like. And, needless to say, I never return from a walk without a few new pictures of apparently the same scene, because nothing in nature is the same at two moments. Every wave is different from the preceding one; and light changes constantly whether one notices it or not.
The pictures in this book were taken during walks on the beach at Ventura Harbor within the span of a few days. I had walked here many times before and had seen pieces of kelp scattered on the sand. This time though there was something different about them; it seemed like the waves of the ocean had just dropped them off fresh-bathed and newly polished in gold. In the light of the setting sun the slender tendrils and grape-shaped eardrops looked transparent and translucent. The random shapes they took as the waves receded looked like experiments in jewelry design. I am not much of a lover of regular jewelery, but the visual pleasure of this gift of nature felt like a personal favor of the sea to me.
Eigenschaften und Details
- Hauptkategorie: Kunstfotografie
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Projektoption: Quadratisch klein, 18×18 cm
Seitenanzahl: 80 - Veröffentlichungsdatum: Nov. 07, 2015
- Sprache English
- Schlüsselwörter Beach, ocean, kelp, Southern California, walking, nature, jewelry, environment
Über den Autor
Originally from India, Arvind Garg moved to the United States in 1976. Since 1985 he has lived and worked as a fine art photographer in New York City. India and America remain of special significance to him, but Arvind sees himself a citizen of the world, so he likes to travel and visit and photograph as many places as his means allow him. For many years in the 1980s and 1990s he worked as a freelance photographer for the Sunday Travel Section of the New York Times which gave him the opportunity to photograph in many countries across the globe. Arvind's images are in the permanent collections of the New York Public Library, the Brooklyn Museum, Herbert Johnson Museum, Cornell University, Madison Art Center, Wisconsin, the Historical Society of Wisconsin, as well as in several corporate and private art collections. Arvind is a contributing member of Corbis and Getty Images photo agencies.