The Stucco Sessions
40x60 2012-2015 V2
von John C. Hesketh
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Über das Buch
Stucco
This work comes from one stucco wall attached to my garage at home. The original conceit was a challenge. How many images could I find in one 40”x 60” space of stucco. One wall and five years later the project is at it’s first stage of completion.
Originally I intended all of the images were to be presented in color, the process has a middle step that is in black and white, that middle step created many singular images that stood on their own. The evolution of the stucco project now includes both the elegance of the black and white images and the convolution of many color images photographed together.
The forms of light on the stucco comes from light painting with an assortment of small flashlights and laser pointers. Each has it’s own light stroke and signature.
John Hesketh
714 928 5203
This work comes from one stucco wall attached to my garage at home. The original conceit was a challenge. How many images could I find in one 40”x 60” space of stucco. One wall and five years later the project is at it’s first stage of completion.
Originally I intended all of the images were to be presented in color, the process has a middle step that is in black and white, that middle step created many singular images that stood on their own. The evolution of the stucco project now includes both the elegance of the black and white images and the convolution of many color images photographed together.
The forms of light on the stucco comes from light painting with an assortment of small flashlights and laser pointers. Each has it’s own light stroke and signature.
John Hesketh
714 928 5203
Autorenwebsite
Eigenschaften und Details
- Hauptkategorie: Kunst & Fotografie
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Projektoption: Quadratisch groß, 30×30 cm
Seitenanzahl: 222 - Veröffentlichungsdatum: Nov. 24, 2017
- Sprache English
- Schlüsselwörter Stucco, Photography, Light Painting, Suburban, Cul de sac
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Über den Autor
John Hesketh
Anaheim, Ca USA
I'm a second-generation photographer. I live in the shadow of the Matterhorn. Every one on the cul-de-sac knows when it’s 9:35. The booms of Disney’s fireworks are the heartbeat of our summer evenings. You can still see the bombs bursting in the air if you’re young enough to climb the fifty-year-old tree in my front yard. I’ve attended the local schools, but most of my training in photography came from my family’s photography business, which was started the day that I was born. I’ve been an artist exhibiting my work around the world since 1986 and a photography teacher at a local college since 1996. Photography is my life.