Über das Buch
Between 1978 and 1989 Sandy Kinnee used the format of the kimono to extend the shapes that artists might work upon. The kimono-shaped paper produced did not represent kimonos, but the idea that there is more than a square, a rectangle, a tondo, or an oval as a possible vehicle or support for a lithograph, an etching, a screenprint, a woodcut.
Autorenwebsite
Eigenschaften und Details
- Hauptkategorie: Bildende Kunst
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Projektoption: Quadratisch klein, 18×18 cm
Seitenanzahl: 80 - Veröffentlichungsdatum: Dez. 11, 2018
- Sprache English
- Schlüsselwörter sandy kinnee, kimono, art
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Über den Autor
Sandy Kinnee
Paris, France / Colorado Springs, CO
Sandy Kinnee is best known for his work on shaped, handmade paper. His work is in the collection of the Metropolitan Museum, Brooklyn Art Museum, Princeton University Art Museum, Portland Art Museum, Museum of New Mexico, Phoenix Art Museum, University of Michigan Art Museum, New Britain Museum of American Art, Madison Museum of Contemporary Art and many private and public collections. Part of each year he spends in France, where he writes and takes photographs. This series of books assembles the poems, short stories and photography into the themes that have gained critical mass over the years.