“Alexandra Eldridge, long cherished as a painter often working with new materials, is now working with turn of the century glass plate negatives found in a friend's attic in Texas. The Memento Mori haunt of these photos was an invitation she exquisitely exploits with a call and response from now to then and back again. Eldridge leaps a century later with these reclaimed images in a dialogue decadent in possibilities, brave and emblematic, inventing cosmologies of modern anxiety or Dionysian rebellion." -Annice Jacoby