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von Mikey Rioux

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Über das Buch
These works defy easy categorization as they straddle thresholds between worlds. They are not fully analog or digital. They are paintings that have drawings and are collages. They use chance, by way of digital algorithm, deliberately. And they are both now and then. While home over the holidays I found both my and my sisters sticker books from when we were young. each page became source material, a base, for the new works you see here. A collaboration through time with myself and my sister.
Autorenwebsite
http://www.rioux.work
Eigenschaften und Details
  • Hauptkategorie: Kunst & Fotografie
  • Weitere Kategorien Bildende Kunst
  • Projektoption: US Letter-Format, 22×28 cm
    Seitenanzahl: 32
  • Veröffentlichungsdatum: Jan. 23, 2020
  • Sprache English
  • Schlüsselwörter stickers, collage, drawing, painting, digital, art
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Über den Autor
rioux33
Mikey Rioux
Chicago, IL

Mikey Rioux is a nonbinary genderqueer human. Mikey's work spans the last two decades. They began in Chicago doing freelance performance work for nationally recognized dance companies, including River North Dance Chicago, Luna Negra Dance Theater, and Lucky Plush Productions. In 2001 Mikey formed Impetus Dance Theater and served as Artistic Director and Resident Choreographer until 2005 when they moved to Seattle. In Seattle Mikey attended Cornish College of the Arts and graduated Magna Cum Laude with a BFA in Studio Art. After graduation Mikey resumed performance work with Scott/Powell Performance, Lingo, Salt Horse, and formed The Sho, an experimental performance collective. The Sho has been presented by PICA’s TBA Festival, Ten Tiny Dances, Northwest Film Forum, Chop Shop Dance Festival, Links Hall, and Dance On Camera. Mikey's visual art has been presented in 30 solo and group shows, is in numerous private collections, and also included in The Mary Alice Cooley Print Collection.

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